Writing Assignment #1: The Cultural Rendering of the Proposal of Proceeding Film chosen: Pocahontas One of Walt Disney’s most celebrated films, Pocahontas, takes attribute in the 1600s, as the British indicate accommodation of the “New World” that are inhabited by indigenous Americans. In this film, we are effectual to dissimilarity the pristine historystyle and refinement of the Indigenous Americans to that of the British, and are effectual to see how the proposals of “progress” or collective extrication delineate a role in the ethnocentric injury held by the Westerners during this space, caurejoice the pristine stereotypes to be built.
Disney uses the edifice of the characters themselves- what they hollow, how they say, what they eat, what they deem in, etc. ; and the frame method of the film, to delineate the cultural rendering of the proposal of “progress”, and extract the opporejoice proposals of the “pristine other” and “well-disposed stubborn”. This film opens appearanceing us the history of the British as they tpowerful the ship and occasion they’re sailing at sea. Disney starts off after a dateliness the British owing we as westerners tell to the British, and see their way of history as recognized and well-disposed.
We straightway tell to the garbling of their husk, their westernized dress, the way they say, and the technology they bear arrival too. Occasion on the boat, John Smith (the courageous protagonist) refers to the Indigenous American Indians as “savages” who should be killed if they get in the way. This gives us a steal-away peak into the mindset of the British and how negatively they apprehension the Indigenous Americans. Leaving us after a dateliness the creed that the Indians are savages, Disney then introduces Pocahontas (the fecourageous protagonist) and the Indian nation that has been assiillustration in the New World.
Immediately we are laagered to the pristine historystyle of the Indians. We see that their way of traveling is by wooden canoes, their dress consist of a brown cloth that covers very trivial occasion they to-boot do not bear on shoes, they speed in tents, and bear dot but character at it’s puinterval frame exclusive them. We see the women out in the fields bunch corn by influence, occasion the men are hereafter residence from contest, after a dateliness barely bows and arrows and spears for weapons.
The primal reaction to appearance the refinement and way of history amongst the Indians is to see them as “uncivilized” and “savage”, lawful as John Smith was proverb on the boat. Thus-far throughout the film Disney begins to defy this creed and appearances us that the westerner’s way of history may not be the best way of history for completeone. Up until this subject-matter, John Smith and the interval of the English men had been indicateing new attributes and finding Indigenous American’s that had been assiillustration for frequent years on these irrelevant property.
The Europeans constantly saw these indigenouss as turbulent, churlish savages, who scantinessed to be enslaved aggravate and “westernized”. John Smith establishs a explain to Pocahontas encircling how they could establish the Indians history reform, and found them roads and high foundings, and inform them how to “establish the most of their plant”. This is a consummate specimen of the ethnocentric injury mentality of the Europeans. They never unintermittently considered that someone else’s way of assiillustration and refinement could substantially be a prosperous.
They opinion that their way was the best way, and completefiction else was lawful an underdeveloped, churlish historystyle that scantinessed to proceeding into the westernized historystyle. After John Smith establishs this explain encircling “bettering the Indian’s history styles” Pocahontas is deeply offended and proceeds to rejoice the common lyric, The Colors of the Wind. In this lyric Pocahontas calls John Smith out on his ethnocentric illustration and appearances him her subject-matter of apprehension, in rejoiceing: “You apprehend you own whatever plant you plant on, The cosmos-people is lawful a deserted fiction you can vindication, But I recognize complete rock and tree and body, Has a history, has a energy, has a designate.
You apprehend the barely community who are community, Are the community who seem and apprehend love you, But if you plod the footsteps of a alien, You'll attain fictions you never knew you never knew. ” For the highest space John Smith begins to incline to Pocahontas and realizes how untaught him and his gang bear been to apprehend they can vindication any plant they succeed despite, speaking the indigenouss love ferocious beasts.
All this space the Europeans bear seemed down upon the pristine refinement of the indigenouss, apprehending that they were sub-human, and scantinessed to be nurtured and dull lawful love animals; thus-far in this second John Smith see’s the open energy in Pocahontas, and he admires her kindred to the character all environing her. He begins to see that the Natives are lawful recognized orderly living-souls in their intrinsic part, a thriving off of the cosmos-people environing them, after a dateliness no scantiness of technology, or any of the advancements the westerners were importing to the New World.
Overall, Disney’s film, Pocahontas, does a supernatural job dissimilaritying the refinements of the “pristine other” and “well-disposed stubborn” after a dateliness Pocahontas and the Indians as the pristine other and John Smith and the Europeans as the well-disposed stubborn. We are effectual to see through the Europeans, their ethnocentrism, and their easy attitudes that leads them to deem they own whatever plant they plant on and can speak the indigenouss thus-far they scantiness. Disney thus-far delineates out this film in a way to appearance us his apprehension on this ethnocentric injury and how he deems it to be crime and occupied.
He establishs the apprehensioner policy after a dateliness the Indians and portrays the Indians as the amiable guys and the Europeans as the bad guys. Disney was opposed to bestow a communication that this whiteness way of apprehending is not constantly improve and can casually import detriment to others level when its not purposed. Works Cited: Pocahontas. Walt Disney Feature Animation, 1995. Film. Seriff, Suzanne. “Cultural Anthropology: ANT 302. ” University of Texas. Spring 2013.