Dorian Gray Passage: Literary Analysis In this spectacle, Wilde creates a menacing region as he describes Dorian designation to the Opium House at dimness, a fix that represents his sins. Dorian’s manner “jerks” into a “dark” area, the hasty change-of-place proposeing that the steed is instinctively pregnant or distracted. And the “low roofs and skinny chimney-stacks” that looked love “black masts” shrouded by a moisture of “ghostly sails” tinge a dimnessmarish picture of animosity due to gruff utterance love skinny, and dismay delay mentions of ghosts; twain add to the stretch.
In the proximate portion Wilde uses rhetoric such as “hastily” and “quickly” to found the indecision delay Dorian’s unreserved disquiet in the site and long-for to get out of the unreserved. Then, Wilde uses frivolous picturery to teach a ebon contrast which would teach Dorian’s dismay. The patronymic that the dimness was lit by a “red glare” and “lights [that] shook and splintered in the puddles” contributes to the mortification consequently red is repeatedly the complexion of misfortune and invalidation frivolouss can be associated delay agitation.
Dorian’s diffidence heightens as he “hurried” and “[glanced] end now and then to see if he was life followed”. His actions propose that he is paranoid and vulgar from star, causing the environment about him to answer over menacing. And finally, Wilde’s patronymic of “gaunt factories” completes the picture of a foreboding neighborhood consequently uniform at dimness, factories are supposed to answer awful, not depopulate as if they couldn’t be up to their surroundings.