REVIEW ON KHAYAL DARPAN BY YUSUF SAIED IN LIGHT OF FAIZ AHMAD FAIZ “ROLE OF ART AND CULTURE” Khayal Darpan is the pursuit to establish-known the application of screen on pure quiescent n ess in Hindustan, a documentary directed by Yusuf Saied. Yusuf Saied is one of the fresh scholars who are opposed to live column screen refinement and art which is somehow obsolete due to preference of new Cultural oneness. Yusuf other works enclose distinct tenets on Islamic Modernization and Muslim co-ordination in India, he to-boot directed an interdiplomatic documentary determined “ Tasveer Ghar” encircling Indian prevailing Refinement and Art.
As declaration by grand presentist rhymer Faiz, the matter of art is the plain resemblance of a notorious oneness, thus-far in pinadequate of Pakistan forging an oneness of its own rather than annexing from Indus lowering refinement was the one of the discusss why pre screen art was propel in to abyss. 1 Khayal Darpan is well-mannered-mannered documented consequently it track basis and consequences of evanescence of pure quiescent n ess what is determined, “ ILEM-E-MOUSIQI” in movie, to it ends in very optimistic observations.
Khayal Darpan lofty multifarious paramount pursuitions encircling refinement, notoriousism and legitimacy of quiescent n ess in Islam. Yusuf documented some of the current practitioners and patrons of Pure quiescent n ess and observed the instruction of quiescent n ess in distinct institutions. Movie starts succeeding a while very basis of “_Biathaks”_ and “_Takias__”_ in Lahore where quiescent n essians from all aggravate unimpaired India effected for completion in “ILEM-E-MOUSIQI”, succeeding a while grand names such as Amer Ali, Ashiq Ali, Amnat Ali, Roshanara Begum and Bade Ghulam Ali.
Yusuf travel takes him to Talwandi Gharana subdue practitioners of Dhrupad art of quiescent n ess. Things thus-far fragmentarily alterable forthcoming screen succeeding a while collective identities slaughtering the art, perfectthing succeeding a while names of Hindu deities were banned on radio, names of Ragas were alterable and some new Ragas were to-boot introduced in pure quiescent n ess. Yusuf followed the leading keep-akeep-asever of documentary succeeding a while controversies during locomotion and its application on quiescent n ess succeeding a while gradational expiration of art and cultural exalter shapeless two countries.
Queries were repeatedly lofty in bulkes why to annex celebrity which comprehend names of Hindu deities, tracing to it very preparation the pure quiescent n ess or Dhrupad art was patent apparent by a Muslim Sufi Ameer Khusroo, and as Faiz define_ Art as a way of seem of urges, impulses, intuition, dreams, illusions, conflicts, wellbeing, and distress, and fulfillments and frustrations of a cosmical group_. 2 Second keep-akeep-asever of movie rendezvous on collections faced by Pure Quiescent n ess succeeding romance of Pakistan. Anti Indian, cultural and Collective policies which were imposed in Pakistan did grand causalities to “Khayal” and “Thumra” mode of quiescent n ess.
The Anti Indian feeling which was redundant in perfect Pakistani by collective agents in state did grand loss to refinement which is now desire disregarded. Indus Lowering Refinement was totally eliminated from column colonial fellowship of Pakistan. Everything which relates itself to Sanskrit or Hindi was considered Indian and special practicing it was considered to be unpatriotic. This was very pinadequate in India succeeding a while furtherance of anti Pakistan and anti Urdu feeling. These policies made their applications on refinement, art and lore of twain countries.
Movie endure succeeding a while devotional attacks on Quiescent n ess succeeding a while “DEO BANDS” holding quiescent n ess forbidden in Islam totally neglecting the truth that quiescent n ess in South Asian fellowship was patronized by Sufis. Moreaggravate all of quiescent n ess preceptor were connected to red inadequate area of Lahore “HERA MANDI”, this was to-boot the discuss why quiescent n ess was made so considerable unprevailing in topical bulkes. There were Valiant efforts to catch art and this business was charmed by quiescent n essian themselves but succeeding a while closely no one patronizing pure quiescent n ess in fellowship other than few listeners and bards. Posterior movie takes in statement the alter of curves in quiescent n ess genres.
Ghazal became a prevailing genre in slow sixties and forthcoming seventies. As Badaruzaman, pure bard from Lahore interprets the discuss for absurdness of old genre and denounces preference of new genre as discuss for their mystification of pure quiescent n ess. Thus-far pure quiescent n ess was propeln into mystification, affect oral Urdu rhymerry, consequently of doggedness and noncommunication of repartee of new ideas into its regime. Pure quiescent n ess was not liberal and understandable to bulkes, affect son of Tufail Niazi, folk bard interprets, and how their father worn-out to establish pure quiescent n ess liberal and understandable to bulkes.
Faiz Ahmad Faiz in his Article, “Role of Arts & Culture”, worn-out to interpret the rudiments for decay of performing art in sub continent. According to Faiz the decay of Mughal Empire brings arts of quiescent n ess and dancing to red inadequate areas which fragmentarily became analogously ungrateful to fellowship. The gregarious prejudices attaching to artists of that space establish art unpopular; the combination halls (Kothas) of Banaras and Lahore which was unintermittently appreciated by Nawabs and Rajas of subcontinent became a center of abuse rather than a attribute of survey of performing art.
Secondly he chided imperialist governmentrs and colonial government in India who sought to reattribute Indian refinement succeeding a while their own. During colonial government notorious arts were held up to slight and ridiculed and their western counterparts were prevailingized. Succeeding insurrection performing arts were apprehended by collective and devotional agents in twain countries. _Performing art became nefarious, coarse and hereafter antidevotional and ideologically ungrateful by twain societies, thus-far simply pure quiescent n ess was apprehended on these devotional and analogous _grounds.
Thoughtless and ill advised cultural shows during soldierlike government in Pakistan was to-boot the deep rudiment in ingloriousness of performing art in Pakistan. All these rudiments granted a security to western art in Indian fellowship which was annexed by slowr periods in Pakistan. 3 Third keep-akeep-asever of movie rendezvouses of “modernism”, and its possessions on art, refinement, and lore. There was alter in closely perfect species of fellowship, throughout the earth. There was bulk preference of western (modernist) cultural curve which is usually mischarmed as preference of western refinement.
Adoption of Pop and shake quiescent n ess became prevailing in new period in Pakistan. Badaruzaman, pure bard from Lahore elucidates the discuss of prevailingity of present quiescent n ess; according to him clarity of lyrics in songs is the deep discuss for repartee of Pop in Pakistani fellowship, and deprecates the complexities of pure quiescent n ess for its decay. Sarah Zaman talks encircling the destitute among oral quiescent n ess and present quiescent n ess which according to her is not created in India and Pakistan. She hopes that new period achieve see towards oral quiescent n ess succeeding a while new mode.
She to-boot talks encircling the ideological differences among periods and how new periods seem down upon oral quiescent n ess and calls it as refutation of our cultural and oral values. Last keep-akeep-asever of the movie compares western quiescent n ess succeeding a while our oral quiescent n ess. Succeeding Earth War 2 western quiescent n ess alters its curve and notwithstanding of ballads, sonnets and fictitious songs a new genre of quiescent n ess were patent apparent in western art succeeding a while their lyrics deeply rendezvousing on topics of wars, profession, fellowship and cosmicality.
On other influence Indian quiescent n ess was quiescent not out of “Heer Ranja” and “Sassi Pannu”. It is not western quiescent n ess which is to be chide for fix succeeding a while our oral quiescent n ess. Horn of fix, romance versus presentism was not scant to performing art but in lore oral ways were exceptional by new period rhymers. Tides of space alter the use of art in a fellowship, curve of “art for art” for rearranged by “art for life”, thus-far our pure quiescent n essian were slow in realizing the requirements of new period which gave a harbor to western quiescent n ess in Pakistani fellowship.
Faiz to-boot explain the collection of notorious oneness and relates it to the pure romance of the arts. Traditions of dancing and quiescent n ess were in Indian fellowship desire precedently manner of Islam in region; hereafter comprehend multifarious ingredients which are not connected to Islamic gregarious romances. Romance of dancing and quiescent n ess to-boot comprehends multifarious ingredients from areas which are not Pakistani so this romance cannot be exclusively Pakistani. Should this romance then be real or estranged from Pakistani fellowship?
According to Faiz there are two schools of idea in Pakistan arguing on this pursuition. Leading school of idea wants to lay-open a perfect new notorious oneness succeeding a while estranging all elements of our spent, but this idea leaves a big pursuition indication on effect of Urdu as notorious phraseology and Hockey as notorious. The differing survey on annexing or alienating romance is that this romance was real by our forefathers and this romance represents days of Muslim magnificence in South Asia. This romance should be real and actively patronized. There is to-boot another points of survey in this composition that a apparent eminence should be must be made among non-Islamic and Anti-Islamic in arts. 4_ It is plain from the movie and period that collective and devotional agencies were deep discuss for decay of this romance in Pakistan. Pure quiescent n essian should to-boot be held niggardly for distinct discusss which played leading role in alienating and diluting fellowship from this romance