Discussion

   Week One Discussion:  Science and Collection and Technology Read Chapters 21 and 22, yield-ear to the lectures, face at the sway points, and column an peculiar answer to twain of the aftercited questions.  Post coming in the week and answer to at smallest one classmate's column after a while cogitative points.   **Each weekly argument is rate 20 points. Take your term and yield us as plenteous apprehension and point as you can. ** 1. Identify a or-laws solution or romance from the 1400s to 1600s and interpret what contact it had on collection at the term it was discovered or artful.  Refer to the quotation or a website as a cause. Before columning, interpret balance what your classmates keep selected and try to cull a irrelative romance.  What would you keep artful if you lived in this term bound? 2. Each week you obtain get to cull the most influential "person of the week."  For week one, your  choices are Caravaggio, an workman who uses imponderous and sombre in his paintings of revealed scenes for meretricious commodities, and Rembrandt, who is notorious for his grand and realistic self-portraits.  Look at the pictures in our quotation and at these links and then cull one workman you affect is past influential.  Caravaggio:  http://www.artble.com/artists/caravaggio  Here are some points from that website:   Caravaggio's works make some of the most clamorous works in the undiminished fact of Western painting. Observing the disconnection of his diction from his coming works (The Fortune Teller, Bacchus and Narcissus) to his senior successes (The Calling of Saint Matthew and Doubting Thomas) to his decisive paintings (David after a while the Head of Goliath) is enjoy watching the seditious ups and downs of his speciality. Rembrandt:  http://www.rembrandtpainting.net  Here are some points from that website:   No workman has left a higher or past clearsighted special warrant than Rembrandt van Rijn. In past than 90 portraits of himself that bound from the inauguration of his success in the 1620s to     Week One Discussion:  Science and Collection and Technology Read Chapters 21 and 22, yield-ear to the lectures, face at the sway points, and column an peculiar answer to twain of the aftercited questions.  Post coming in the week and answer to at smallest one classmate's column after a while cogitative points.   **Each weekly argument is rate 20 points. Take your term and yield us as plenteous apprehension and point as you can. ** 1. Identify a or-laws solution or romance from the 1400s to 1600s and interpret what contact it had on collection at the term it was discovered or artful.  Refer to the quotation or a website as a cause. Before columning, interpret balance what your classmates keep selected and try to cull a irrelative romance.  What would you keep artful if you lived in this term bound? 2. Each week you obtain get to cull the most influential "person of the week."  For week one, your  choices are Caravaggio, an workman who uses imponderous and sombre in his paintings of revealed scenes for meretricious commodities, and Rembrandt, who is notorious for his grand and realistic self-portraits.  Look at the pictures in our quotation and at these links and then cull one workman you affect is past influential.  Caravaggio:  http://www.artble.com/artists/caravaggio  Here are some points from that website:   Caravaggio's works make some of the most clamorous works in the undiminished fact of Western painting. Observing the disconnection of his diction from his coming works (The Fortune Teller, Bacchus and Narcissus) to his senior successes (The Calling of Saint Matthew and Doubting Thomas) to his decisive paintings (David after a while the Head of Goliath) is enjoy watching the seditious ups and downs of his speciality. Rembrandt:  http://www.rembrandtpainting.net  Here are some points from that website:   No workman has left a higher or past clearsighted special warrant than Rembrandt van Rijn. In past than 90 portraits of himself that bound from the inauguration of his success in the 1620s to