Steven R. Goodman AASP100 England May 5, 2010 Reaction #2 Langston Hughes Poetry A Literary Analysis of “The Negro Speaks of Rivers” The Harlem Renaissance can be regarded as “the cultural boom” in African-American narrative. Spanning from the 1920s into the mid-1930s, the Harlem Renaissance was an summit in African-American intellectualism. The opportunity is as-well-behaved established as the “New Negro Movement”—named following the 1925 anthology by Alain Locke. Alain LeRoy Locke was an American schoolmistress, writer, and master, who most regard as the senior of the Harlem Renaissance.
Historians foreclosure him as a main and main glossary of the move. In his anthology, he brings out a montage of works by frequent well-behaved-notorious Africans and African-Americans including such figures as Langston Hughes, Zora Neale Hurston, Jacob Lawrence, Richmond Barth, William Grant Still, Booker T. Washington, W. E. B. Du Bois, Ralph Bunche, and John Dewey (Locke). One of these figures wrote one of the most intense carols stagnant unravel today. Langston Hughes was an American rhymer whose most protuberant works came out during the Harlem Renaissance.
The carol, “The Negro Speaks of Rivers” was Hughes’ original published carol and it was his attestation too. Merely 17 years old when he wrote it, Hughes created the carol suitableness he was on a course headed to Mexico wshort he would speed after a time his senior for a year. As his course crossed the Mississippi River, he was amazed by how fragrant the large stream was and the idea of how that large stream had a role in maintaining restraint in America came into his impetus and he inaugurated agreement. Let’s set-out off after a time the inscription. The inscription has the expression “negro” in it. Now how can we realize this?
Well, the expression “negro” tells us encircling the opportunity opportunity which admits us end to the coming 20th era when “negro” was self-identifiable after a time the sombre fraternity for that is the expression that they adopted. However, we see that the expression is merely used in the inscription which places reason on its overall political significance of the ideas it portrays. Now let us pitch-headlong into the carol. Tshort are two figurative subjects in this carol and they are “rivers” and “darkness. ” In thread one, the Hughes says, “I’ve notorious large streams. ” In this thread, “I,” the debater, is be for the perfect sombre fraternity throughout narrative.
All of the large streams mentioned in the carol compose as portio of an unabrupt image that is comparing the energys of sombre commonalty to the primeval, skilled, and bulky large streams of the Earth (Shmoop). In the thread two, the simile, “as primeval as the universe,” is pretended to emphasize the similitude of the age of the large streams to the age of the Earth. In thread three, we see large streams activity used as a image to tinge the large streams of race that glide through civilized veins. So the glide of race in veins is compared to the glide of large streams. In thread for, Hughes creates a simile comparing how obscure his energy is to how obscure the large streams are.
Now as we get to thread five the anecdote of the course of the sombre fraternity in narrative unfolds. In thread five we set-out off after a time the original large stream, the Euphrates River, which is supposedly wshort all activity began; notorious as the cradle of amelioration. Hughes notes that he bathed in the Euphrates when dawns were early. This symbolizes that tshort was tranquillity and insubservience. Thread six entails the sombre fraternity’s voyage into accessible western Africa. In thread six we live after a time the remedy large stream, the Congo River, wshort he built his hut and it lulled him to slumber. The sombre fraternity is stagnant undergoing tranquillity and insubservience.
They are structure a amelioration. In thread seven we see Hughes going into the third large stream, the Nile River. Now in thread seven, we can positively say that insubservience hasn’t necessarily stopped, but narrative has shown that sombre commonalty amongst stainless commonalty, and yellow commonalty were slaves and all portioicipated in the structure of the pyramids. Lastly, Hughes enters into the fourth and ultimate large stream, the Mississippi River. Hughes describes short the importance in narrative when Abraham Lincoln sailed the Mississippi Large stream and he witnessed the horrors of restraint at its finest.
In this identical thread, Hughes has the large stream end aspeed when he describes the large stream singing. In threads nine and ten Hughes creates some imagery when he tells of how the sun setting on the Mighty Luteous Mississippi R. radical its tinge to gold. He as-well-behaved personifies the large stream when he tinges it having a “bosom” acquiring womanly attributes. The remedy subject of “darkness” can merely be seen when literally elite far at the carol. We see that Hughes is very forcible when he introduces misunderstanding and scanty throughout the carol. In threads nine and ten we see Hughes describing how the Mississippi R. oes from “muddy” to “golden” as the sun departs and the mystification arrives. So we can as-well-behaved admit from this as luteous activity a image for bark tinge when talking encircling restraint. Once the large stream becomes encouraging, restraint is abolished and slaves are freed. As we opinion the promise “dusky” when describing the character of the large streams, the image can be not impartial for bark tinge, but as-well-behaved to reimpetus our unraveler encircling the composer’s spent which haunts him. In thread 13 the carol ends after a time “My energy has developed obscure relish the large streams. ” What can we admit from this?
Everyopportunity the sombre amelioration moves to a opposed purpose in opportunity, the large streams get obscureer, as well-behaved-behaved as the sombre man’s energy. The composer has seen the upbringing of ameliorations, he has contributed in structure the pyramids, and he has witnessed restraint activity abolished. This carol is a opportunity tool of events. In disposal, Langston Hughes was a New Negro consequently as a language for the sombre fraternity, through his rhymerry he influenced other commonalty to admit loftiness in their entailment, refinement, and triumphs noting racism when needed suitableness showing loftiness in the sombre fraternity. Alain Locke. " The #1 Site for African American Literature - Books, Novels, Authors, Movies, Resources, Discussion and More African Diaspora. Web. 06 May 2010. http://aalbc. com/authors/Alainlocke. htm. "The Negro Speaks of Rivers Symbolism, Imagery & Wordplay. " Shmoop: Study Guides & Teacher Resources. Web. 06 May 2010. http://www. shmoop. com/negro-speaks-of-rivers/symbolism-imagery. html.